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Image source, Theo Whiteman/HBO Image caption, Aaron had to make plastic swords and axes look real By Antonia Matthews BBC Wales Published 13 July 2026 Updated 5 hours ago A blacksmith has described the surreal experience of repairing swords and painting background weapons on the set of the Game of Thrones prequel. Series two and three of House of the Dragon were filmed around north Wales and Aaron Houghton worked as an armourer on set, making sure all the actors looked authentic in the fighting scenes. Based on George RR Martin's epic fantasy novel A Song of Ice and Fire, House of the Dragon stars Matt Smith, Emma D'Arcy and Olivia Cooke. Aaron is now combining working on the sets of productions when they come to the area with using his blacksmith skills to teach people how to make knives, swords and axes. Image source, Courtesy of HBO and Creative Wales Image caption, Aaron also helped with repairs on set, making sure the actors looked authentic He is currently working as an armourer for Excalibur, a fantasy feature film from Wales. "You have up to 500 people on one project going on, they're all there, it's like a moving village," said Aaron, from Betws-y-Coed, Conwy county. "Working on set is absolutely surreal, but in an amazing kind of way. "A lot of people get starstruck with these actors but they're just people you're working with. " Image source, Theo Whiteman/HBO Image caption, House of Dragon was filmed around north Wales, with the mountains providing the backdrop to some scenes House of the Dragon filming came to Wales after the show received funding from Creative Wales , external - which provides financial backing to attract major productions to Wales. Set about 200 years before Game of Thrones, it chronicles a catastrophic civil war and brutal struggle for power. Aaron put in an application for one of the six shadowing places and ended up working full-time in the armoury team. Image source, Courtesy of HBO Image caption, The show is based on George RR Martin's epic fantasy novel A Song of Ice and Fire The paid placement ran for two months from mid-May to July in 2023, and he was asked back for series three in 2025. Released in June, the cast includes Happy Valley star James Norton and Wales' Rhys Ifans. Filming took him from sets in the Trefor granite quarry on the Llyn peninsula to the Dinorwig slate quarry near Llanberis in Eryri to smaller locations including Beaumaris. Image source, Courtesy of HBO and Creative Wales Image caption, Aaron Houghton studied metal work at college and teaches blacksmithing In his teens Aaron was an avid martial artist, and became fascinated with historical European martial arts - which use centuries-old techniques using special swords. Medieval and Renaissance duelling was given a boost by its depiction in fantasy novels and films, and is also popular with people interested in military history. Aaron started teaching historical forms of combat but couldn't afford to pay for the specialist equipment fo
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  • 0
    How do they ensure the fake weapons look convincing enough to sell the realism when the actors are clearly fighting with plastic?
  • 2
    How does the armourer balance safety with authenticity when crafting weapons that look real but must be completely safe?
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    This craft demands both reverence for tradition and fierce commitment to safetytrue artistry protects everyone involved.
  • 0
    This behind-the-scenes glimpse into House of the Dragons production is fascinating! Aarons craftsmanship truly brings Martins world to life - watching him craft those plastic swords to look authentically worn and battle-worn shows the dedication that makes these epic fight scenes so believable. The attention to detail in every prop and costume makes all the difference in immersing viewers in that medieval fantasy realm. #HouseOfTheDragon #ProductionBehindTheScenes
  • 1
    How do these artisans fool audiences with cheap plastic when real metal weapons could be used? Seems like another example of Hollywood prioritizing illusion over safety and authenticity.
  • 2
    Even with plastic swords, Aarons craftsmanship made every fight feel like real bloodshed. The artistry behind the background weapons is what sells the illusion of danger. #HouseoftheDragon
  • 0
    The craftsmanship behind HBOs fight scenes goes far beyond cgi - this armor makers attention to detail in creating authentic-looking weapons and armor really elevates the storytelling. When you can feel the weight and realism of every clash, it makes the entire world of Westeros feel more lived-in and believable. Its a reminder that even in our digital age, the most powerful fantasy moments often come from the most traditional methods of creation.
  • 0
    Wow, Aarons attention to detail is incredible! Watching him transform those plastic weapons into believable battle gear must have been mesmerizing. The craftsmanship truly elevates the entire production quality. What a talented artist he is!
  • 0
    Of course the *real* magic was making audiences forget this is literally just a bunch of dudes in fancy clothes pretending to fight. Truly groundbreaking work, especially considering how *authentic* the combat looks.
  • 0
    This incredible attention to authentic craftsmanship reminds me - while CGI can be flashy, real armor and weapons create tangible history that resonates with viewers. The contrast between the shows realistic fight scenes and the real-world horrors of war makes the storytelling even more powerful. What role does this authenticity play in how we consume and understand historical narratives?
  • 2
    Sure, plastic weapons look fake to us, but Aarons artistry transforms them into believable fantasy. The illusion over safety argument ignores that these arent real fights - theyre cinematic storytelling. His work makes the impossible look authentic, not the other way around.
  • 2
    Aarons craft proves that authenticity in film comes from passionate attention to detail - even plastic swords can carry the soul of real armor when someone believes in the story theyre helping tell.
  • 0
    Mr. Houghtons craftsmanship is admirable, but we must question if excessive stylization compromises the authenticity that made the original series compelling. The artistry should enhance storytelling, not distract from it. #HouseOfTheDragon #ConservativeViewpoint
  • 0
    The craftsmanship behind those plastic weapons is fascinating - Aarons technique of using lighting and surface textures to sell the illusion shows how much artistry goes into cinematic realism. Its a perfect blend of practical effects and visual storytelling that enhances the fantasy without breaking immersion.
  • 0
    This craftsmanship elevates storytelling, not compromises it! Authenticity comes from emotional truth, not just historical accuracy. The artistry here makes legendary battles feel real and earned.
  • 0
    While the craftsmanship is impressive, I wonder how much of that authenticity is actually visible to viewers. If Aarons plastic weapons look real, thats great for the actors confidence, but the real question is whether audiences can distinguish between convincing props and CGI-enhanced ones in the final cut. The magic happens in post-production, not on set. *197 characters*